Showing posts with label middle east. Show all posts
Showing posts with label middle east. Show all posts

Wednesday, 13 March 2013

Abu Dhabi's Central Market project - "Build It Bigger"

The American TV channel Science Channel recorded one of the episodes of the show "Build it Bigger" in Abu Dhabi. This episode is focused on the iconic project of the new Central Market of the city, composed by a program of rehabilitation of the existing market and by the construction of two skyscrapers and one supertall building. While the two skyscrapers will be Marriots' hotel units, the supertall building will be the tallest residential building in the world, with the curiosity of being the home of the highest swimming pool in the world. Promoted by Aldar Properties, the project is signed by the British architect Norman Foster.

The video addresses to the architectural concept of the project and its engineering and logistic challenges. It also brings up the development vision of the United Arab Emirates and the approach to the construction made by Abu Dhabi, that intends to build new facilities leveraging the existing ones, looking into the future inspired by the past and their traditional roots.




Thursday, 21 February 2013

ARCHITECTURE MIDDLE EAST - Kingdom Tower, AS+GG Architecture

KINGDOM TOWER (under construction)
 
Jeddah, Saudi Arabia
 
Under Construction
Expected height: 1.000 m 
Expected total area: 530.000 sq m
Expected cost: 1,2 billion USD

Text from Archdaily.com:
"Over 1,000 meters with a total construction area of 530,000 sqm Adrian Smith + Gordon Gill Architecture are currently in design development phase for Kingdom Tower. Slated to surpass Burj Khalifa by 173 meters (coincidently which Adrian Smith also designed while at Skidmore, Owings & Merrill) Kingdom Tower is the centerpiece of the $20 billion dollar Kingdom City Development, with the tower itself expected to cost $1.2 billion dollars. Featuring a luxury hotel, office space, serviced apartments, luxury condominiums and the world’s highest observatory the tower’s foundation drawings are complete with the piling currently being tendered."


"On 10 October 2012, Kingdom Holdings awarded contracts totaling $98 million. Kingdom Holding Co. has signed a deal with Subul Development Company for the sale of land in the Kingdom Riyadh Land project for $66.5 million. The Kingdom Riyadh Land project, a mixed-use commercial and residential development, will generate more than $5.33 billion of total investment and will house up to 75,000 people. The final master plan contract was awarded to Omrania & Associates and Barton Willmore. Bauer, a German Foundations equipment manufacturer and contractor was awarded a US $32 million contract to support the initial phases of construction of the Kingdom Tower. This includes the installation of 270 bored piles with diameters of 1.5 meters and 1.8 meters."
- Text from Wikipedia.com

Access the project's article on Wikipedia to more information.
All photos are property of AS+GG Architecture. 

 

Thursday, 14 February 2013

ARCHITECTURE MIDDLE EAST - Al Dar Headquarters, MZ Architects

AL DAR HEADQUARTERS
MZ Architects
 
Abu Dhabi, United Arab Emirates
 
Year: 2010
Total built area: 123.500 sq m
Cost: AED 1.000.000.000 (201.700.000 €)
Owner: Al Dar Properties

Text from Archdaily.com:

The concept:
The AlDar Headquarters designed by MZ Architects has a distinctive and innovative design: a semispherical building comprising two circular convex shaped facades linked by a narrow band of indented glazing. This iconic fully glazed structure is completely circular in elevation and curved in all other directions.

The circular shape in architecture:
The Circle symbolizes unity, stability, rationality. It is also the symbol of infinity, without beginning or end, perfection, the ultimate geometric symbol. It represents a completeness which encompasses all space and Time. The Sphere, the 2-dimentional circle, is hailed by Boullée as the ideal and perfect form since no trick of perspective can alter its appearance. Inspired by the symbolism of the Circle and the Sphere, architects have used the geometric round shape in their building designs since the beginning of time. The circular shape of the tholos, the greek temple with a round ground plan rather than a square or rectangular one, is not unusual in Greek architecture and has also been used later on in the Roman building typology.

In 1784, Boullée conceived his most emblematic project: the Cenotaph for Isaac Newton which would have taken the form of an immense sphere 150 m high, mirroring the universe, and embedded in a circular base. This structure remained however a sketch and was never built.
Throughout the modern history of architecture, architects have also been designing and realizing circular-based buildings, round towers as well as domes and spheres used notably in the development of planetaria and theatres. The circular shape has always been used in the ground and floor plans with the traditional building elevation and roof. However, no one has attempted to build a structure completely circular in elevation. Such an idea would normally be left on sketches.

The birth of the AlDar HQ shape:
Aldar HQ designed by MZ Architects has a distinctive and innovative design of this kind; its circular convex shaped façade gives it an outstanding and unique frontal altitude. This iconic fully glazed structure is completely circular in elevation and curved in all other directions. When challenged to create an iconic structure on Al Raha beach, Marwan Zgheib decided to create a simple building that would possess the calm, ideal beauty of classical architecture while also having considerable expressive power, a building that would compete with the iconic architecture of the UAE and create a sense of place and identity for the area.

To attain this end, Zgheib first had to select from natural forms, under the guidance of a concept of regularity. Accordingly, he was inspired by the clam shell which has deep meaning for Abu Dhabi with its seafaring heritage, as well as the symbolism of the geometric round shape, and imagined two giant circular curved walls of glass mirroring an open clam shell.
An extremely pure geometrical but daring design was born: a round skyscraper with a curved glass skin covering the area of four football fields.

The harmonic proportions:
To bring the massive circular concept to life, the issues of visual stability, harmony and dynamism proved to be crucial. The real challenge of the façade was to find the two points where the building should pose on the ground – and for that, the development of the volume began by using one of the oldest rules in architecture: the rule of proportion based on the Golden Section.

The golden section is not merely an aesthetic proportion important to artists, but an omnipresent cosmic principle that induces structural differentiation. Indeed, this ratio appears in the works of nature (such as the human body, the bodies of animals, plants and crystals) and is naturally preferred by the human mind and eye. The proportions of the Greek temple reflect the pleasing aesthetic ratio of the golden section. When applying the golden section ratio to the circular façade of the building, the circle was divided into a pentagram, on which the Human Body is juxtaposed with head and four limbs at the five points of the pentagram. Accordingly, the architects were able to locate the two points of stability of the circular facade; the two points of the circle where the building will meet the earth thus creating the perfect balance. These guidelines created the initial massing and dynamic shape of the building.

Fusion of the façade and the roof:
Unlike the conventional four sided buildings, the circular building challenges the approach to construction by questioning the typical roof structure. This three faceted building relies on its zipper-like element, a continuous glass and structural band that stitches the two main facets together, creating a slim continuous surface that is both vertical and horizontal, side and face, window and roof. This lateral element, the structural ‘backbone’ of the project, brilliantly creates the fusion between façade and roof and allows for the monolithic shape of the object.

The façade curvature:
The striking shape of this building is achieved through the use of an external structural triangular diagrid – a diagonal grid of steel. The first of its kind in the UAE, it allowed the creation of structural efficiency and stability appropriate to the circular building with greater flexibility than a conventional rectangular form. The system not only helped minimize the impact of the steel frame on the façade but also served as an architectural element that blurred all sense of scale and inflated the structure, moving away from the typical horizontal stratification of the facades that influenced most high rises in the area. This diagrid system eliminates the need for internal columns which would compromise the aesthetic appeal as well as the views from within. This improved the building’s efficiency, providing layout flexibility for tenants. Although there are just 23 floors, the building has the same floor area as a typical 40-storey tower.

The curved glass skin became one of its most complex components to be executed. In order to solve the challenge of the façade curvature, triangular pieces of flat glass combined into diamond like shapes, came together like a puzzle working with the diagrid and the highly complex geometry of the skin. As part of the master plan, the circular building faces the road on a west-east elevation, allowing both the sunset and sunrise to be visible in the glass. The glass facades do not only reflect the project’s surrounding and the vibrant new city in which it was born but also allow one to face his own reflection and image in the much larger universe.

The building’s sustainable strategies:
The project was developed in line with the US Green Building Council LEED rating system. It is one of the first eco-friendly official buildings in Abu Dhabi, which is made up of recyclable kind of materials like steel, concrete and glass, and includes a district cooling plant, as well as efficient lighting and water systems. The building maximizes natural light, with meeting areas and offices spread around the perimeter of each floor. A subterranean automated vacuum waste collection system is also incorporated to reuse all the waste products of the building. The first of its kind in Abu Dhabi, the system sucks rubbish directly to a local waste transfer station for recycling and compacting.
This construction was completed by keeping the environmental factors in mind, now it is capable to achieve the lowest LEED silver rating award by US Green Building Council. The building’s efficiency is classed as 82%, making it the most efficient design for the floor area.

All images are property of MZ Architects.



Tuesday, 5 February 2013

ARCHITECTURE MIDDLE EAST - Burj Al Arab

BURJ AL ARAB
Tom Wills-Wright (WS Atkins)

Dubai, United Arab Emirates

Hotel
Height: 321 m / 1.053 ft
Floor count: 60
Floor area: 111.500 sq m / 1.200.000 sq ft 
Number of rooms: 202

"The Burj Al Arab (Arabic: برج العرب, "Tower of the Arabs") is a luxury hotel in Dubai, United Arab Emirates managed by the Jumeirah Group and built by Said Khalil. It was designed by Tom Wright of WS Atkins PLC. At 321 metres (1,053 ft), it is the tallest building used exclusively as a hotel. However, the Rose Tower, also in Dubai, which has already topped Burj Al Arab's height, will take away this title upon its opening in April 2008. The Burj Al Arab stands on an artificial island 280 metres (919 ft) out from Jumeirah beach, and is connected to the mainland by a private curving bridge. It is an iconic structure, designed to symbolize Dubai's urban transformation and to mimic the billowing sail of a boat.

Construction of Burj Al Arab began in 1994. It was built to resemble the sail of a dhow, a type of Arabian vessel. Two "wings" spread in a V to form a vast "mast", while the space between them is enclosed in a massive atrium. Architect Tom Wright said "The client wanted a building that would become an iconic or symbolic statement for Dubai; this is very similar to Sydney with its Opera House, or Paris with the Eiffel Tower. It needed to be a building that would become synonymous with the name of the country."

The architect and engineering consultant for the project was Atkins, the UK's largest multidisciplinary consultancy. The hotel was built by South African construction contractor Murray & Roberts.The hotel cost $650 million to build.

Several features of the hotel required complex engineering feats to achieve. The hotel rests on an artificial island constructed 280 meters offshore. To secure a foundation, the builders drove 230 40-meter long concrete piles into the sand. The foundation is held in place not by bedrock, but by the friction of the sand and silt along the length of the piles. Engineers created a surface layer of large rocks, which is circled with a concrete honey-comb pattern, which serves to protect the foundation from erosion. It took three years to reclaim the land from the sea, but less than three years to construct the building itself. The building contains over 70,000 cubic meters of concrete and 9,000 tons of steel.


Burj Al Arab characterizes itself as the world's only "7-star" property, a designation considered by travel professionals to be hyperbole. All major travel guides and hotel rating systems have a 5-star maximum, which some hotels attempt to out-do by ascribing themselves "6-star" status. Yet according to the Burj Al Arab's official site, the hotel is a "5-star deluxe hotel". It is the world's tallest structure with a membrane façade and the world's tallest hotel (not including buildings with mixed use) and was the first 5-star hotel to surpass 1,000 ft (305 m) in height. Although it is characterized as the world's only 7-Star Hotel, several "7 Star" hotels are under construction. These include the Flower of the East under construction in Kish, Iran, The Centaurus Complex under construction in Islamabad, Pakistan and a complex planned for Metro Manila in the Philippines.

The building design features a steel exoskeleton wrapped around a reinforced concrete tower. Notably the building is shaped like the sail of a dhow, with two "wings" spread in a V to form a vast "mast". The space between the wings is enclosed by a Teflon-coated fibreglass sail, curving across the front of the building and creating an atrium inside. The sail is made of a material called Dyneon, spanning over 161,000 square feet (15,000 m²), consists of two layers, and is divided into twelve panels and installed vertically. The fabric is coated with DuPont Teflon to protect it from harsh desert heat, wind, and dirt; as a result, "the fabricators estimate that it will hold up for up to 50 years."

During the day, the white fabric allows a soft, milky light inside the hotel, whereas a clear glass front would produce blinding amounts of glare and a constantly increasing temperature. At night, both inside and outside, the fabric is lit by color-changing lights."
 

- text from dubai-architecture.info 


 


Friday, 25 January 2013

ARCHITECTURE MIDDLE EAST - Cleveland Clinic, HDR Architecture (work in progress)

Cleveland Clinic (work in progress)
Abu-Dhabi, United Arab Emirates
HDR Architecture, United States of America

Client: Mubadala Development

Completion Year: 2013
Photos: HDR Architecture

  • Aldar Properties — Development manager
  • HDR — Design architect through 30%completion of construction documents
  • AEDAS — Architect taking construction documents from 30% completion to 100% completion
  • AEDAS Interiors — Interior design
  • Sixco-Samsung (joint venture) — General contractor
  • AECOM—Building-engineering services
 

"The HDR-designed Cleveland Clinic Abu Dhabi, one of Abu Dhabi’s flagship healthcare projects, is set to open in the fourth quarter of 2013. The multi-specialty facility extends the U.S.-based Cleveland Clinic model of care, offering a range of tertiary and quaternary medical services that will bring world-class healthcare to Abu Dhabi and the region. Located on Al Maryah Island in the heart of Abu Dhabi’s new central business district, the 364-bed (expandable to 490-bed) facility is organized into five institutes: Digestive Disease; Eye, Heart and Vascular; Neurological; Respiratory; and Critical Care. As in the United States, the hospital will be a physician-led medical facility served by western-trained, board-certified physicians. It will be one of the most advanced, high-tech and luxurious hospitals in the world. 

The term ‘hospital of the future’ is used quite often, but I can’t imagine another facility that reflects that phrase more than the Cleveland Clinic Abu Dhabi,” says Mohammed Ayoub, lead HDR designer for the project. “It’s a building that blends cutting-edge technology, evidence-based design, world-class care, and Arabic culture with elegant architecture—creating a facility that looks more like a seven-star hotel than a hospital. The image of the campus, with its verdant gardens, glowing double-skinned patient tower, distinctive diamond-glazing, modern interiors and colorful massing exemplifies the best of what medical care can be. The design is overlaid with a suite of cultural references that ground the project firmly in Abu Dhabi. The color palette represents surrounding natural elements, such as the turquoise of the Gulf waters and the array of neutrals of the desert, and interior patterns and motifs reflect the local vernacular, as seen in Arabesque patterned screen elements throughout the building.

To avoid the characteristic maze of many hospitals, each healthcare component is expressed in an individual architecture form, arranged to express the continuum of healthcare— the Cleveland Clinic model. The blocks are elegantly stacked around a central reflecting pool; the entire design literally and figuratively founded on water, a universally recognized source and symbol of serenity and healing. This grouping of blocks creates efficiencies for the staff and obvious wayfinding for visitors, replacing winding hallways with sleek glass walkways that connect the inpatient spaces with the 340-exam room outpatient clinic, 210 faculty offices, conference center, simulation center and administrative building.

The interior concept is based on blurring the lines between hospital and hospitality. The interior materials—glistening onyx and warm, rich wood tones—soften, and, at the same time, anchor the interior to the exterior. Indoor water elements impart white noise to calm patients and provide a sense of tranquility, while green spaces boost mental alertness and create gathering areas that reinforce the hospital’s sense of community. The patient rooms are intentionally designed with large family spaces and amenities to involve the family in the healing process. Abundant windows with views of lush rooftop gardens and the Arabian Sea provide a soothing atmosphere that advances wellness and recovery.

Although the entire facility is designed following LEED Gold principles, the most notable sustainable design feature is the double-glass curtain wall, perhaps the first-ever utilized in a hospital. The curtain wall creates a stack or “lung” effect, allowing the building to “breathe.” The process works by strategically placing the mechanical floor at the bottom of the hospital tower, exhausting cool air previously used within the hospital from the bottom of the tower to the stack between the double curtain wall and eventually out through the roof. This exhaust creates a protective buffer between outside air and the interior of the building. Moreover, air is cooled in a tripartite approach using sea water, heat reclamation, and used cool air exhausted through the five-foot-wide space between the two glass curtains walls.

“Our goal with this project is to deliver a building that is beyond state of the art,” adds Ayoub. “It will provide a standard of care and service that is simply not available anywhere in the region. And it will do so in an iconic facility that is sure to stop people in their tracks.”

- text from ArchDaily.com