Showing posts with label arx. Show all posts
Showing posts with label arx. Show all posts

Monday, 2 December 2013

Architecture References - House in Lisbon, by ARX Portugal Arquitectos

House in Lisbon
Lisbon, Portugal
ARX Portugal Arquitectos, Portugal
 
Area: 436 sqm
Year: 2013
 
Photos: FG + SG

Project's description on ARCHDAILY [by the architect]:
"The concept for this house emerges from a reflection on the identity of Lisbon architecture, a recurring type of 6-meter-wide and 15-meter-long deep house, ending in a small garden in the back. It is a 5-storey building with two radically different elevations: one “public” in white lioz limestone (the most used in Lisbon) and the one in the back, in glass, connected by an interior world in exposed concrete, punctuated by birch wood elements.

The elevation obviously follows on the Lisbon tradition, stressed further by the windows’ rhythmic structure, opened in a span system created by horizontal strips and  vertical bars – characteristic of the city architecture. Just as most of Lisbon’s old buildings, it is a flat elevation whose expressiveness comes from its rhythmic nature and the light-and-shade effects produced with the backing-up of its surfaces. This apparatus brings the elevation a sense of time, expressed by the change in the shadows throughout the day: from a more subtle morning light – with no direct sunlight – to the strong contrasting afternoon shadows.

Besides a straightforward concern in aligning the elevation with the surrounding lines, the design stresses an obvious contrast between the block-type bottom, and the more dematerialized crest. If on the one hand the ground floor responds defensively to the narrowness of the street, combined with the fact that neighbours park their cars in front of doors and windows, on the other hand the top comes out much lighter and dematerialized: it is a space at once interior and exterior – a top patio allowing the transition between the lower building, to the south, and the higher one, to the north. Nevertheless, despite its intimate nature, the space allows a view over the surrounding landscape and to the far-off Christ the King statue to the south, along the street line.

On the back elevation we have explored the extreme transparency which extends the interior onto the exterior and opens up the view to the garden – where a splendid Linden tree takes center stage – leading the eyes from the top floors over Lisbon’s hills, the Tagus river, and the South Bank. Radically opened to the exterior, the generous morning light that floods in directly is balanced by the gray concrete making up all the surfaces.

Inside, the precision of the design, as well as the inclusion of two doors in most rooms, endows the five small floors with a sense of a generous space, and give its dwellers a strong feeling of fluidity and freedom. The constructive research for this project provides an example in which the whole structure shapes the space and becomes architecture in itself: the whole concrete structure, built with only 3 planes – two gables and a transversal plan – is set forth and designed to define the essential house space.

At once a natural and staged space, of both contemplation and living experience, the garden is expressed as an archeological site, where all layers of time, since the house was built, are present. Here, one can still see the ancient techniques that have raised  thick stone walls (often recovered from other buildings), later brick overlays, mortar or paint, as well as the stones from the demolished house that have become pavement."

- ARX Portugal 






First Floor Plan
 
Second Floor Plan
 
Third Floor Plan
 
Ground Floor Plan
Underground Floor Plan
 
Roof Plan


 
East Elevation

West Elevation

Wednesday, 30 October 2013

Projects Wanted - Coimbra Blood Bank, by ARX


Today we present the third and last project from the set of projects sent to us by ARX in June. It's a special pleasure for us to be able to communicate more work from this recognised Portuguese Architecture office, this time through Coimbra Blood Bank project. The project presents a total area of 4.100 sqm and it was developed (competition, project and construction) between 2001 and 2009.

We are open to receive projects from all around the world, regardless of their dimension or typology. Please send us high quality photos (indicating their authors), drawings and descriptive texts in English to our Marketing e-mail - david.cardoso@dimscale.com. It will be our pleasure to help spreading new Architecture concepts and ideas.


 

A Regional Blood Centre is essentially a highly complex laboratory building, where the donated blood is separated into its three major components and transformed for medicinal purposes. This being the second Centre we design (the first one was in Porto), it reflects a bigger tranquillity and come to terms with the treatment to be given to the complex technical paraphernalia proper of these buildings. This understanding has brought us, this second chance around, a deeper feeling of freedom.


The land for its implantation is of a beauty that reminds us of landscapes more como in the north of Europe: a thick forest of 147 feet-tall pine trees, only 6 or 9 feet apart from each other. Inside the dense woods a world of shade rules over the sky, which is seen only briefly, piercing the green "canvas" made by the tree-tops. Although there are some urbanized areas relatively near by, there is a strong feeling of isolation, like we had crossed somewhere a sort of filter. This land is located on the wavy line atop of a hill, suddenly falling down a very inclined slope.


In this place, any building seems to be excessive. It is a disruption in the balance of this landscape.

The concept of the building clearly reflects a will to stand up to that "displaced", odd and unexpected character. It is a big grey volume, completely wrapped in zinc, whose only connection to the place seems to be a reaction to the wavy properties of the ground, tracing along with its form the undulation of the topography.


The entrances, as well as all the openings, windows and skylights, are like ridges or furrows that highlight the resulting tension of the folded volume: on the convex side they project out; on the concavous side they are the same plan of the building's body. In both cases, they reveal the inside, warm and bright.

When designing the interiors, we stated our fascination for the necessity of linear and antiseptic spaces, but now dealing with a radical aesthetic interpretation, of merely functional obsessions, that we found in other laboratories we visited for this project.

- ARX 







  PROJECTS WANTED is a DIMSCALE's initiative to communicate new Architecture from all around the world.
Send us your projects to david.cardoso@dimscale.com.